AUTHORING

How a Convo tour
actually gets made.

The curator’s seat. What you bring, what the draft looks like, what the editor is for, and how a tour gets from idea to live — multilingual, on the wall — in two to four weeks. Without an IT ticket, a studio booking, or a producer in the loop.

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FROM MATERIALS TO DRAFT

From reference materials
to a first draft.

You upload what you already have — wall text PDFs, catalog entries, exhibition essays, the curator’s working notes. The platform drafts each stop in the voice you’ve asked for, grounded in those sources. The model is instructed to write only from those passages and to decline rather than fill in when it can’t ground a claim. The draft isn’t the model’s opinion of your collection; it’s your own materials rendered in audio cadence.

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STOP 04 OF 12
The Limestone Scribe
● DRAFT
SCRIPT · ENGLISH · 1:32

Stand back and take in the symmetry. He sits cross-legged on a block of limestone, an open scroll across his lap — a quiet posture for someone who, in 2400 BCE, held one of the most powerful jobs in the kingdom.

VOICE · MARGARET · SOFT·SOURCE · CATALOG_2018.PDF · P.142
UPDATE AUDIO
REGENERATE
SAVE
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STOP 04 · AI ASSIST
The Limestone Scribe
● DRAFT
PROPOSED EDIT · STOP 04 ¶22:48 → 1:32
Stand back and take in the symmetry — a temple to art in the Beaux-Arts style that was the height of, a mode of architecture closely associated with civic ambition.
SCRIPT ASSISTANT
Shorten to 90 seconds and lead with the back of the sculpture.
✓ APPLY
REVERT
THE EDITOR

Edit the way you write,
or describe the change.

The script lives in a per-stop editor inside the admin. Rewrite any line by hand, or ask the AI for a specific change — shorter, softer, lead with the back of the sculpture, fold in this catalog quote. When the AI proposes a rewrite, you see a diff against your current script before accepting it. Nothing edits itself. A three-status workflow — draft, in review, published — lets a curator and an editor move stops down a pipeline instead of emailing Word docs back and forth.

ONE SOURCE, TEN LANGUAGES

Voice across ten languages
from one approved source.

You author and approve the tour once, in English. Convo regenerates and re-voices the same stops in Spanish, French, German, Italian, Portuguese, Chinese, Japanese, Korean, and Arabic — same scenes, same edits, in roughly a minute. There is no studio booking, no per-language translation vendor, no separate file to email out. Edits to the English source are the unit of work; everything downstream refreshes from there.

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EGYPTIAN GALLERIES · 12 STOPS
Language coverage
RE-VOICE ALL
EN
English
ES
Español
FR
Français
DE
Deutsch
IT
Italiano
PT
Português
ZH
中文
JA
日本語
KO
한국어
AR
العربية
BATCH RE-VOICE · 10 LANGUAGES · 12 STOPSSOURCE: ENGLISH SCRIPT v7
● 8 OF 10 COMPLETE · ~24 SECONDS REMAINING
admin.convo.app/tours/egyptian-galleries/publish
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EGYPTIAN GALLERIES
Publish & share
● LIVE
SCAN TO LISTEN
MERIDIAN MUSEUM · STOP 01
PUBLIC URL
guide.convo.app/meridian/egyptian-galleries
LANGUAGES PUBLISHED
ENESFRDEITPTZHJAKOAR
DOWNLOAD QR
COPY LINK
PUBLISH AND UPDATE

Publish in minutes,
update in seconds.

Hit publish and the tour is on the QR card at the wall. After launch, a correction to a stop — a date, a softened sentence, a new line about a piece that just came in — takes about a minute to propagate. The platform re-voices the stop in all ten languages and pushes the change to visitors. A visitor who scans the code five minutes later hears the corrected line. Edits are not a project; they’re a workflow.

EDITORIAL CONTROL

Curators stay in charge
of every line that ships.

Every line a visitor hears was approved by a curator who knows the material. The AI saves the time you would have spent at the blank page; it doesn’t replace the judgment about what to say. Multiple staff can collaborate on the same tour, with the three-status workflow as the handoff. When a stop reads off, the fix is upstream — correct the source, regenerate, and the same correction propagates the next time anyone asks about that object.

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MERIDIAN MUSEUM · 4 TOURS
All tours
ALLDRAFTREVIEWLIVE
TOURSTOPSSTATUS
Egyptian Galleries
Updated 2h ago
12 stops
● PUBLISHED
American Wing — South
Updated yesterday
18 stops
● PUBLISHED
Special Exhibit: After Rothko
Awaiting curator review
9 stops
● IN REVIEW
Architecture & the Lakeside Wing
In progress
4 stops
● DRAFT
COMMON QUESTIONS

What curators ask about authoring.

Two to four weeks for a single gallery, depending on how organised your reference materials are and how many reviewers you want in the loop. The first week is drafting and your read-through; the second is voicing, translation, and a soft launch on the floor. If your materials are scattered and you want three curators to weigh in, push it to four. That is still measured against the studio-production baseline of four to nine months.
No, but it adds a few days. The first thing we do on kickoff is sit with you and pull together what you already have — wall text PDFs, exhibition essays, the curator’s working notes, the catalog entries you wrote two years ago. You don’t need to clean any of this up first. Messy is fine. We are looking for source material, not a finished script.
Two safeguards. First, the draft is grounded only in materials you uploaded — the model is not pulling from the open internet, and it is instructed to decline when it cannot ground an answer. Second, every line a visitor hears was approved by a curator in the editor. The script is not a prediction; it is an artifact your curator signed off on. If a visitor question later surfaces something off in the source, you correct the source, regenerate, and republish.
Yes. The script is a living document. Edit a stop, re-voice it across all ten languages, and republish — the change is on the visitor’s phone within a minute. There is no studio queue. This is the part of the workflow that most surprises curators who have lived under the legacy production model.
Yes. Multiple staff can be invited to the admin and work on the same tour at the same time. Convo does not yet route specific stops to specific reviewers inside the admin — most institutions handle that by assigning galleries to curators on their side and using the three-status workflow (draft, review, published) as the handoff. If you need formal per-language reviewer routing, treat that as a process step for now and let us know — it is on the roadmap.
You do. Your reference materials, your scripts, your audio, your visitor analytics. We don’t train models on your content, and we don’t share it with other institutions. You can export scripts and per-stop audio in plain formats at any time.
Book a demoSee the pilot timeline
START WITH ONE GALLERY

Bring the messy folder.
We’ll take it from there.